I saw very few people displaying any outrage over the fact that Miley was, at one point, slapping a faceless black woman on the ass as if she was nothing more than a thing for Miley to dominate and humiliate. She is appropriating cultural elements without taking any time to reflect on her position of privilege and how her use of the term “ratchet” or her twerking are contributing to the oppression of black people.Įven worse, in her performance last night Miley used black women as props - like, literal props - and barely anyone said anything. She is playing at being black without even trying to understand what the lived experience of being black really is. She is taking elements of black culture and using them to give her the patina of street cred that she wants so badly. Miley is doing her best to promote herself as a part of rachet culture, which Jody Rosen describes as “the potent sexual symbolism of black female bodies,” while simultaneously treating the black women in her videos and performances as props. In short, she can imagine that she is being “ghetto” without having any concept of what living in a ghetto would really mean. Her status as a member of a traditionally oppressive race and class means that she is able to pick and choose what parts of black culture she wants to embrace without having to deal with the racism and racialization that black women live with every day. She, a wealthy white woman, is taking elements from black culture in order to achieve a specific image. ![]() What Miley is doing is cultural appropriation. I read a great post this morning by Anne Theriault on Huffington Post Canada (there’s a Huffington Post Canada?) detailing the racial appropriation of Cyrus and calling White feminists out on their familiar to address this aspect of the performance in their fervor to defend her. There has been the predictable admonishments of Cyrus’ risque, sexualized behaviour and the predictable response from White feminists defending her right to be as slutty as she wants to be.īut, very few commented on the racial overtones of Cyrus’ performance. Yesterday, we’ve seen several memes and quite a bit of conservative finger-wagging (which, in feminist circles, is known as slut-shaming). On Sunday, at the MTV VMA Awards, she did this. Miley Cyrus as Hannah Montana, a Disney Channel princess. In August 2020, TikTok circumvented a privacy safeguard implemented on Google’s Android operating system in order to collect the online information of potentially millions of users.In case you have been living under a rock for the last week: there is this girl named Miley Cyrus. Rubio asked Wormuth to reveal the number of Army recruiters who use their personal phones to recruit young adults online. “From a military perspective, it can track troop movements, build source networks, or compile biographic profiles on military members for purposes of intelligence collection, exploitation, and manipulation.” “Armed with biometric and other personal data, the CCP is able to track, monitor, and collect information on Americans anywhere in the world,” Rubio wrote. Rubio urged Wormuth to strengthen enforcement of the app’s ban due to its connection to the Chinese Communist Party. ![]() Marco Rubio sent a letter to Army Secretary Christine Wormuth highlighting how Army recruiters are ignoring the military’s TikTok ban in order to reach young adults online, The Verge reported. ![]() and delete them immediately and uninstall TikTok to circumvent any exposure of personal information.” “The guidance is to be wary of applications you download, monitor your phones for unusual and unsolicited texts etc. Boring, an Army PAO, told NBC News in an email. “The message directs appropriate action for employees to take in order to safeguard their personal information,” Lt.
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